40 massive r& b hits inside !!!

deep, dramatic, abstracted d&b from exits most esoteric operator, consequence. test dream is an advanced follow-up to the burial-esque scapes of his 2009 debut, live for never, scanning sci-fi inspired minimal d&b topographies with a filigree attention to detail. ultimately, its not the kind of d&b thatll have you firing shots in the ceiling: its strengths lie in the vivid evocation of dystopian futures and plugged-in, cyber-surreal dream states, conducted with the ability to suspend disbelief and submerge the willing participant in a whole other headspace. that said, there are dancefloor-ready moments like the sinuous, sub-heavy soul sees spirit, but the best moments occur when the dancefloor seems to be receding beneath your feet / sofa, as with the whirring autechre-ian dynamics of magda trench and the majestic loveshell, or the flickering, skeletal remains of marlo.

legendary bournemouth-based trio aquasky return with their 8th studio album raise the devil featuring 16 bass-heavy party tracks which include guest vocals and collaborations from lee mortimer, engine earz experiment, daddy freddy, ragga twins, tenor fly, mr. thing, pyramid, acafool, deja, roisin brophy, didjelirium and bex riley. this album sees the trio take it back to basics and return to what people expect when they hear the name aquasky! having been solid friends since the heady days of rave and acid house, the guys first hit the studio together during the jungle era and in 1995 aquasky was born, signing immediately to moving shadow before going onto release on some of the biggest and best labels including polydor, botchit & scarper, reinforced, good looking records, hospital, southern fried and mr. bongo. in 2001 they took the decision to launch their own imprint passenger as a place where they had free reign to unleash their full creativity and develop both their sound and the sounds of other acts.

when david essex sang -gonna make you a star-, he knew what he was talking about because he d already been there. and -the best of david essex- showcases his star quality to perfection, delivering all of his smash hits from the seventies, including -hold me close-, -rolling stone- and the classic -rock on-. a superstar from a golden era of pop.

2011 holiday collection. the project started in 2010 when jan illustrated the diversity of more than 50 christmas tunes in the field of jazz, funk and soul to tobias kirmayer of tramp records, germany. although some of the titles had already been compiled, there were exceptional songs that grabbed their attention. major record companies owned a handful of the initially pre-selected songs. despite the fact that these terrific songs never topped the charts the quality of this compilation easily shakes hands with famous christmas records of major artists like james brown or lou rawls. ladies and gentlemen, sing along, shake your hips and dance because: santas funk & soul christmas party is goin on.

ralph myerz is with no doubt one of the most active music personas of the norwegian music scene. it was the year of 1997 when ralph asked for people to play percussion with him during a party in bergen, norway. the jack herren band showed up through a combination of mutual contacts and high-school friendship. supposedly a one-time-event, they had so much fun playing together that they decided to form a band, and ralph myerz & the jack herren band was formed. the band released a 7inch and a 12inch on the telle records that were followed by great reviews from magazines and dj around europe, including dimitri from paris who included the track nikita on one of his playboy mansion compilations.

its been a long time comin.the inevitable paul white rap album! 4 years of carving out his own psychedelic (mainly instrumental) niche on the uks one handed music imprint, a lot of people have been asking when this was going to happen. loaded with shining appearances from the cream of current underground mcs: guilty simpson, marv won, danny brown, tranqill (ruling on one of paul whiteÕs rudest beats to date), homeboy sandman, moe pope and the crown prince of uk hip hop, jehst, folk talent, nancy elizabeth also makes an appearance. there are also plenty of whacked out instrumentals and skits to keep the beat-heds heady. tip!uk producer leads transatlantic talent on a freewheeling hip-hop adventure.

gem club is an exclusive society: two people, a piano, and a cello. vocalist christopher barnes sings in a quivering whisper, and these minimal accompaniments assure that their sound never becomes louder than a hush. but the massachusetts duo s debut ep, acid and everything, showed just how much emotional intensity you could pack into compositions so spare, and how much could be suggested with so little. everything on breakers, their first full-length, sounds frozen over: icy, quiet, austere. you know that eerie feeling when you find yourself alone in a huge public place that s usually crowded-- maybe a shopping mall or a playing field- but at that moment is totally empty? this record sounds like a sustained version of that feeling. -i heard the party- juxtaposes echoing piano chords and a general sense of unease (-no one could have told you / your body would fail you-) with the refrain -i heard the partys here- floating across the track like the sound of dried up laughter. the word -party- feels so out of place in a song so pensive and lonely that there s something jarring about the experience. the feeling crops up repeatedly on breakers: a sense of slow-motion detachment, a suggestion that there were signs of life here once, but you ve arrived a couple of hours- or maybe a couple of weeks- too late.

2011 release, the follow up to 2010s successful first volume of bangs & works. the carefully curated compilation showcases chicago footwork, one of the most forward-looking, innovative new styles of electronic music on the planet. footwork is beginning to spread outside of chicago, influencing productions around the world. bangs & works vol. 2 brings the focus back onto chicagos own producers, showing where the real innovation still lies. while its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks to those that sound like musique concrete gone footwork.

jailbreak at the zoo! totebagz is the collaboration between two of melbournes most daring minds, jerky perky aka misha hallenbach (perks and mini, bamboo musik) and the most excellent surfer/dj biscuit (moonrocks). when theyre not cycling the unknown regions, foraging the bush for >special< funghi or surfing the 50-year storm, theyre oozing tweaked cardboard box techno. on this limited edition disc, the totebagz pile blankets of synth upon deep-fried circuitry upon drum machines that have a mind of their own. to say they take you for a ride would be an understatement. this is what it sounds like when gremlins shack up inside your mixer.

first there was life is water for gerbadaisies when they are dancing, then there was a soft kiss by a rose, now we have shhh, dandelions at play - the latest album by boof. shhh, dandelions at play is available on cd and as download via bubbletease communications on itunes and juno download. accompanied by the 12inch-single joi is smiling/now shes jumping. produced by maurice fulton.

nikki beach mixed by atfc is the second in a series of album collaborations between the worlds leading independent house music label and one of the most exclusive and surprising clubs on the planet. compiled from breathtakingly up-front material, atfc pulls in brand new cuts and remixes from ben westbeech, noir, osunlade, green velvet and ame as well as dropping two of his own tracks yet to see the light of day.

its probably safe to say that youve never heard anything like brothers of brazil before. for the past three years the brotherly duo of supla and joao have been combining elements of traditional brazilian music such as bossa nova and samba with rock and funk to create a unique sound thats won over countless fans in brazil, and now theyre ready to expand worldwide with the release of their self-titled album. the duo was started when the brothers landed their own national variety show in brazil called brothers on rede tv. supla and joao realized then that when they collaborated the results were beyond what they had ever imagined.

a brand new compilation featuring the a- and b-sides of all the bands chiswick singles. includes four tracks new to cd. when we recently came to re-press our long-standing the best of the damned, the pressing plant told us that, unfortunately, the films had been lost. rather than simply make a new set of films, we decided to make a completely new cd and so present you with the damned: the chiswick singles - and another thing... overseen by the producer of the bands chiswick releases, roger armstrong, the package comes with brand new high-end transfers from the original master tapes - the damned have never sounded better. an extensive trawl through box after box of saved material from that era means that the booklet features a lavishly illustrated package including rare photographs and tons of memorabilia.

limited edition! vince clarke und andy bell haben die musikgeschichte der 80ern,90ern und 00er jahre um zeitlose pop-hymnen wie a little respect, sometimes, victim of love, ship of fools,chains of love,the circus und breathe und tausend andere bereichert. in ihrer englischen heimat erreichten erasure mit alben wie the innocents, wild!,chorus und dem startschuss des weltweiten abba revivals abba-esque gleich fŸnfmal hintereinander die nummer 1 position.tomorrows world ist das erste studioalbum von erasure seit mehr als vier jahren.

australian pressing of this 2011 collection of rarities and non-album tracks from the queen of modern soul. sharon jones & the dap-kings have developed an international reputation as the #1 group on todays soul scene. soul time is an exploration of the full range of their dynamic sound through 12 songs handpicked by the daptone records gang, each one a precious exclusive. the needle drops on genuine pts. 1 & 2, a supercharged funk arrangement that evokes the late godfather not only with the spirited syncopation of the dap-kings rhythms, but also with the raw power of jones voice. it is performances such as these that have earned her the moniker the female james brown. though it has long been one of their best-selling singles, it makes its album debut here. longer and stronger, written for her 50th birthday, is a deep mid-tempo soul celebration of the strength and determination with which sharon jones has earned her long overdue success. whether youre a lifetime fan, or just getting turned on, sharon jones & the dap-kings have yet again made a record that will blow your mind.

5 cd set includes the albums, chic (1977), c est chic (1978), risque (1979), real people (1980) and take it off (1981).

sander van doorns new artist album 2011. if theres one thing we can say about the evolution of the worldwide dance scene this year, is that its genres are being mashed up like never before. on his new artist album eleve11, sander van doorn once again does what he does best, mixing up styles, genres and artist-cooperations. along side his smash hits koko and love is darkness, eleve11 is packed with artist-cooperations such as believe with singer/songwriter tom helsen, eagles with adrian lux and sanders latest purle haze installment timezone. an emotional dancefloor-killer that brings shivers down your spine each time you hear us singer fredericks voice. more uplifting is sanders collab with fellow-dutchman laidback luke. whos wearing the cap is an idea born when their resemblance on a photo was so anstonishing that the songtitle was placed underneath it, making fans wonder if they might be brothers. those who have heard nadia ali on iios classic rapture have probably wondered when her voice was due for a svd treatment. well, that time has finally come and the result is called: rolling the dice together with sidney samson all in all, eleve11, with its neatly corresponding 11 tracks all recorded in 2011, shows the world exactly what sander van doorn has evolved into.. a worldwide dancemusic phenomena.

2011 collection featuring cuts from shuggie otis, sly & the family stone and aretha franklin.. the old grey whistle test has now been synonymous with quality music for 40 years. although possibly best know as a show for rock music, the show maintained an amazing variety when it came to choosing its artists, it really only had two criteria, 1, that the artists had released an album and 2 that they produced great music. this collection mostly features artists that appeared on the show but also include artists who for whatever reason didnt or couldnt appear on the show.

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

before he made his breakthrough with 69 love songs, stephin merritt was a little-known songwriter signed to merge records. the label reaches into its own archives for this rarities compilation, which features 14 songs recorded between 1994 and 1999. full description1999. some of the tracks were originally released as 7 inch vinyl singles by the magnetic fields, others are unreleased rarities, including three cuts from merritts unfinished science fiction musical and one outtake from the 69 love songs sessions.

the story of skint & demoralised is too long and complex to go into here, but suffice to say it was quite a surprise to see a new release from skint & demoralised, let alone the bonus inclusion of the long shelved debut. made up of poet matt abbott and producer mini dog, skint & demoraliseds songs revolve around teenage pursuits like getting high, getting the girl and getting pissed as well tackling social issues like unemployment and alcoholism.

on his 2011 album field songs, iowa troubadour william elliott whitmore documents a vanishing american landscape with all the heartfelt soul and quiet fury one could hope for. -heartland firebrand blows fuse, fights for truth- heralded spin magazine when describing whitmore, who utilizes a powerful singing voice beyond his years and a stark dramatic sound rooted in bluegrass, blues and folk protest music. these songs vividly evoke a life of struggle, humble resilience and family bond inspired by life on his familys farm along the mississippi river. whitmore has made a name for himself both within the punk movement, where his populism and sincerity resonate with alienated urban kids, and the roots community, where writers like andy downing in the chicago tribune have placed him within the -new pastoralism- of bon iver and the fleet foxes.

it might sound like an empty phrase, but when oliver koletzki founded stil vor talent in 2005, he certainly didnt anticipate where his label would be today. now - six years and over sixty releases later - stil vor talent can look back at many magnificent moments in the labels history. originally started to give other musicians the chance to showcase their music, stil vor talent has preserved this very down-to-earth attitude until today and has helped foster the careers of producers such as channel x, niko schwind, juli holz or david august to name just a few. while there have never been any musical or stylistic limitations, an open philosophy dominated by quality and individualism prevails at olivers label, from delicately designed record sleeves to their own fashion line and to music that varies from house to pop to jacking dancefloor cuts. now it is time to congratulate everyone involved and the fans of stil vor talent with a special birthday present: a six-year anniversary compilation that celebrates past, present and future of the label on two cds

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

the excitement that percolates inside us when days start to get longer, the weather gets warmer, knowing summers just around the corner, has always had an instant gratification effect. hailing from the beautiful island of mallorca is dj / producer kiko navarro, a mainstay in the dance world on the party island of ibiza, had a residency at the world-famous club pacha, has done numerous productions for nite grooves / king street. he now comes back on board remixing, re-working, and re-editing some of the best well known, brand new tunes in the catalog, giving this comp a beautiful balaeric flow.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

larry chubby reynolds as he was originally called cut some 45 s for the tri-spin label when first starting out in detroit during the 60s. he recorded with groups the relations and chocolate syrup before ultimately, in 1973, replacing william howard as lead singer of the dramatics. here he recorded and performed before his solo album deal with capitol records in 1981 which gave us the l.j. reynolds (which included key to the world ) then travelin in 1982. ahead of this fantasy album came lovin man for mercury in 1984, then ultimately tell me you will which features a special guest appearance by the o jays. rare on cd, this album has been much sought after by soul fans in recent years.

travis stewart is a producer whos always been admired by the electronic cognosenti, both as a solo producer in his project machinedrum and also as one half of sepalcure on hotflush recordings. after a break from producing he started to resurface in a major way last year with the -many faces e.p.- on glasgows luckyme label. however, for -room(s)-, his latest album on planet mu, he s well ahead of the curve, approaching the album in a way he s never worked before.the tracks on room(s) were started on the spur of the moment, often whilst traveling and finished in the studio, with the notion in mind that great moments of inspiration are fleeting so its best to grab on to that moment when it happens and squeeze it for all its worth. travis says of this process, -i feel like the energy of a song is lost the longer you spend working on it. this experiment in becoming less attached to my work essentially lead to a lot of songs that are connected sonically and aesthetically.-

sing (if you want it) is the sixth release from the british soul icon, omar. this eagerly awaited re-issue definitely puts omar back in the spotlight and will become an essential album for any music collection. omar is often referred to as the founding father of nu-classic soul and has been acclaimed by artists such as erykah badu and mobo award winner kele le roc. omar can also count stevie wonder as a fan, who most famously said, -when i grow up, i wanna be omar-. on this album, omar collaborates with stevie wonder and a host of great artists including estelle, common, zed bias, and many more. the album also comes with two brand new bonus tracks, including the single -dancing- and -its so-.

its been a wild ride since back in march 2009 when the demo of sare havliceks white russian hit landed in our inbox. since then sare has gone onto be one of the scenes musical and dj bright spots. his debut >toscana nights< album in 2010 was warmly received by press and public alike and a series of remixes has firmly cemented him as one of the best nu disco producers around

uk indie rock !!

following up to last years successful debut of playa -del lounge-, pedro del mar returns this summer with vol. 2 of his already prestigious chillout mixcomp series.

by the age of 15, david rodigan was djing at school dances and youth clubs. the infectious, crazy back beat of jamaican ska first captivated him as a teenager in the mid 60 s, it was a driving, energetic sound which he found impossible to resist. when the pace cooled down and condensed into rock steady david was equally enamoured because the sweet, aching vocal style of jamaica s young stars could be heard to full effect.

amiable new york city-based alt-rockers spin doctors hit it big in 1993 with the jam band hits -two princes- and -little miss cant be wrong,- both of which fueled many countless collegiate afternoons spent hacky sacking and devil stick juggling amidst a sea of red plastic cups. released in 2011, the best of spin doctors, which doesnt differ too much from 2000s just go ahead now: a retrospective or 2009s playlist: the very best of spin doctors, features 18 tracks culled from the groups three albums for epic. front-loaded with the groups two biggest, aforementioned hits, the collection loses steam as it progresses (though there are some tight, 70s-inspired nuggets to be found like -mary jane- and -cleopatras cat-), due in no small part to the groups penchant for always staying in its comfort zone.

dave.i.d likes to think for himself. always has done. its the reason why his debut album didnt go quite according to his initial plan. he was going to make, to use his own words, >something pretty simple and straightforward<. but then he noticed lots of his friends were discovering new beliefs. some even tried to convert him. >im very open-minded to different beliefs, but i question and see things slightly differently,< he says. without necessarily wanting to, he found himself reflecting on existential questions. >the album is a record of the time that it was made, and thats what was going on in my life at the time. i didnt necessarily want to make the debut album like that. i felt i had to make it<. the cerebral inspiration catapulted him into musics outer rim. he beamed back a dark, dense sometimes confrontational sound, but ultimately compelling sound. but, in the end, it turned out to be a happy accident because the resulting record, called >response< appropriately enough, is mind-bendingly inventive, brilliantly off-kilter and constantly surprising. crucially, the tough sonics are paired with killer melodies: this is deep, heavy music you can hum. the records he was listening to while making >response< help make sense of his singular sound

the word genius is not a term we like to use loosely when speaking about our artists but giorgio sancristoforo aka tobor experiment fits the bill. a gifted musician, soft synth designer, found sound pioneer and he still finds time to make forward thinking disco pop for bearfunk as tobor experiment >disco experience<

dub police are proud to announce the release of their first artist album courtesy of birmingham-based producer emalkay, who is set to release his hotly anticipated debut lp eclipse this spring. first making a name for himself with early releases on his own morphic sounds imprint, emalkay has continued to push the boundaries of underground bass music ever since, delivering a slew of huge releases on the way. having been an integral part of the dub police stable ever since his >explicit / heroics< 12 inch for the label in 2009, emalkay has gone from strength to strength with a series of heavyweight tracks that includes the phenomenal >when i look at you< and recent smash >crusader<. comprised of 11 tracks, >eclipse< is a bold and powerful album encapsulating perfectly everything that makes emalkay such a prodigious talent, effortlessly showcasing the depth and diversity of his sound while always remaining true to his inimitable style. as addictive as it is hard-hitting, the album doesnt just provide a collection of dancefloor tracks, but a confident and coherent artistic statement.

founded in 2007 by julien henry (syhths & vocals) & marc aumont (bass & vocals), rafale got the meters in overdrive right from the start. they played festivals after festivals (les trans musicales, les dŽcouvertes du printemps de bourges, astropolis, art rock...) & stood out thanks to inflamatory shows which raw rock power melts with rapturous clubbing rave. after the release tow eps (rock it, dont stop it - excessively blogged - & drive, one of year 2009s best videos according to french magazine les inrocks) & with the support of the media, this double act grew to a trio when franck richard joined on the drums to work on a third ep produced by arnaud rebotini (blackstrobe) : eraser. rafale is now about to launch debut album produced by arnaud rebotini, on rise recordings

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business É it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solŽ, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

mark stewart first made his presence felt as the front man for the pop group in the late 1970s. they were pioneers of the post punk dance sound and had success with singles such as >she is beyond good and evil<, and >we are all prostitutes<. when the band split in 1980, mark joined the emerging on u sound crew as a part time member of the new age steppers. he then went on to form his own band with keith leblanc and doug wimbish, the rhythm section of the sugar hill gang, and guitarist skip mcdonald. with adrian sherwood and his production magic at the controls, the maffia unleashed an awesome mix of styles that sounded like bootsy collins jamming over a bootleg jah shaka tape in an urban warzone. this incredible mix of funk, dub and electronic overload pre empted techno and drum & bass by years. mark stewart, often copied, never bettered. the film retraces the singers steps and paths from the early days of the pop group right up to the present. schifer, who followed mark around for a full 3 years, has crafted a detailed, often intimate portrait of the artist, supplemented by interviews with a. o. mark stewart himself, adrian sherwood (on.u sound), daniel miller (mute records), nick cave, mick harvey, doug wimbish, skip mcdonald, keith leblanc, douglas hart (the jesus & mary chain), fritz catlin (23 skidoo), mike watt (minutemen, the stooges), gareth sager (the pop group, rip rig and panic), dan catsis (the pop group), john waddington (the pop group) janine rainforth (maximum joy), massive attack, keith levine (p.i.l.) and many others, plus never seen live recordings and music clips

jessica 6 ist das neue projekt von nomi ruiz, schillernde sŠngerin des hercules & love affair debutklassikers aus 2008. unterstŸtzt wird die djane, mode- & kunstikone aus nyc von den automato-mitgliedern andrew raposo (bass) & morgan wiley (keyboards), die oft mit der dfa crew (james murphy, tim goldsworthy) aufnehmen. jessica 6 liefern auf >see the light< eine erfrischend charmante mixtur aus disco, electro, soul & pop mit einer prise r&b. zu den highlights des albums zŠhlen der opener & hit >white horse<, der orientalisch angehauchte titeltrack, das grandiose >prisoner of love< feat. antony hegarty (antony & the johnsons), der ohrwurm >fun girl< sowie die melancholische r&b midtempo-ballade >champagne bubbles<.

jessica 6 ist das neue projekt von nomi ruiz, schillernde sŠngerin des hercules & love affair debutklassikers aus 2008. unterstŸtzt wird die djane, mode- & kunstikone aus nyc von den automato-mitgliedern andrew raposo (bass) & morgan wiley (keyboards), die oft mit der dfa crew (james murphy, tim goldsworthy) aufnehmen. jessica 6 liefern auf >see the light< eine erfrischend charmante mixtur aus disco, electro, soul & pop mit einer prise r&b. zu den highlights des albums zŠhlen der opener & hit >white horse<, der orientalisch angehauchte titeltrack, das grandiose >prisoner of love< feat. antony hegarty (antony & the johnsons), der ohrwurm >fun girl< sowie die melancholische r&b midtempo-ballade >champagne bubbles<.

with niko schwinds first album for stil vor talent you never loose the feeling that each of the tracks would work harmoniously on the dancefloor, but also within the concept of this album that goes from slow-moving vocal house to pretty nifty tech-house and back. niko schwind is a magician when it comes to producing very fine and mature pieces of house music that are sure to work great on the dancefloor. maybe niko has had the dj in mind that he is himself, as the tracks seem to perfectly provide great productions, but also the ideal ability to mix them in and out, with little samples providing great audible cues. after all, as the title suggests >good morning midnight< is an album with the dancefloor in mind

nice price deal !!! four years since osunlade has graced us with an original full length house album. his next release and self-proclaimed last house release is nearing the gate. pyrography is an evolution incorporating the signature yoruba soul sound, bridging organic and electronic. braced with more vocal songs than any of osunlades previous house offerings, he has created an innovative endeavour. tracks including idiocyncracy, the infectious envision, and the yoruba chant of ser al santisimo showcase the wonderful palette of the musical diversity encompassed here. in addition to the album itself, osunlade has teamed up with the amazing talent of pyrography artist scott marr to create an original art experience harking back to the days when these two art forms were one and showcasing the synergy between them. the result is a very special selection of >fire paintings< created for each track making up the artwork for pyrography.

north london trio lets wrestle have been with us since 2007 when, as precocious teens, they unveiled their smart-yet-indolent take on classic underground rock disenfranchisement Ð the fall meets buzzcocks in 21st century suburbia, effectively Ð immediately gaining favour with scenesters like art bruts eddie argos and landing them a deal with bijou indie imprint, stolen. 2009s sparky, cheekily titled in the court of the wrestling lets album debut followed, winning universally positive notices and establishing frontman wesley patrick gonzalez as a wry, singular wordsmith, mature beyond his still tender years.

mystery, magic and luck perfectly define this new opus. lucky number ? indeed, 13 can bring luck and happiness! 13 is believed to bring bad luck in the west and good luck in asia. this is why, 13 is written in chinese... out of superstition! the sounds are imbued with this mysterious and magic atmosphere. escape blends with mystery, adding a mystic and thrilling feel and giving intensity throughout the tracks george v records has gone back to basics with this new release that will please all buddha-bar lovers. mystic quest , the first cd, is an invitation to escape and travel with tracks from jojo effect, mystic diversion, ganga or florzinho. secret bliss , the second cd, is more mysterious and up-tempo. it takes us to an electronic music world where trendy bass sounds combine with traditional instruments offering a moving and eloquent symphony. we can mention dr kucho, volkan uca, mhd or parov stelar for instance. a compilation that will live up to the reputation of the buddha-bar music collection.